Heraldry

heraldry, the science and the art that deal with the use, display, and regulation of hereditary symbols employed to distinguish individuals, armies, institutions, and corporations. Those symbols, which originated as identification devices on flags and shields, are called armorial bearings. Strictly defined, heraldry denotes that which pertains to the office and duty of a herald; that part of his work dealing with armorial bearings is properly termed armory. But in general usage heraldry has come to mean the same as armory.

The initial meaning of the term herald is disputed, but the preferred derivation is from the Anglo-Saxon here (“army”) and wald (“strength” or “sway”). In the second half of the 12th century the men who supervised festivities and delivered invitations to guests were often the same minstrels who, after tournaments and battles, extolled the virtues and deeds of the victors. Heralds can be identified in the descriptions of tournaments from about 1170. The duties of minstrels and messengers appear then to have merged, and, as the minstrels recounted the deeds and virtues of their masters and their masters’ ancestors, their interest in genealogy developed. That new skill was related to their tournament duties, which included the necessity to recognize the banners and shields of all those invited to attend. As heraldry developed its elaborate technical language and as armorial display expanded in subsequent centuries, so the importance and consequent status of heralds grew.

Heraldry originated when most people were illiterate but could easily recognize a bold, striking, and simple design. The use of heraldry in medieval warfare enabled combatants to distinguish one mail-clad knight from another and thus to distinguish between friend and foe. Thus, simplicity was the principal characteristic of medieval heraldry. In the tournament there was a more elaborate form of heraldic design. When heraldry was no longer used on body armour and heraldic devices had become a part of civilian life, intricate designs evolved with esoteric significance utterly at variance with heraldry’s original purpose. In modern times heraldry has often been regarded as mysterious and a matter for experts only. Indeed, over the centuries its language has become intricate and pedantic. Such intricacy appears ridiculous when it is remembered that in the earlier periods swift recognition of a coat of arms or badge could mean the difference between safety and death, and some medieval battles were lost through a mistake over the similarity of two devices of opposing sides.

Like all other human creations, heraldic art has reflected the changes of fashion. As heraldry advanced from its utilitarian usages, its artistic quality declined. In the 18th century, for example, heraldry described new arms in an absurdly obtuse manner and rendered them in an overly intricate style. Much of the heraldic art of the 17th to 19th centuries has earned that period the designation “the Decadence.” It was not until the 20th century that heraldic art recovered a feeling for aesthetic beauty. There are still, however, a few drawings of poor quality emanating from official sources.